Bill Evans' Transcription of 'Danny Boy' - A Harmonic Analysis

'Danny Boy' is a timeless classic that has been covered by many pianists over the years. One of the most notable and iconic versions is by jazz legend Bill Evans. In this article, we'll delve into Evans' transcription of the song, exploring his harmonic approach and providing a detailed analysis.

Evans' harmonic structure is built around a chain of secondary dominants, which he uses to create tension and release throughout the piece. He begins with a Bb7 chord, followed by an A7 chord that leads to Dm at bar 6. This progression is often broken down into E-7b5 A7, but Evans takes a more straightforward approach.

The use of secondary dominants is a key element in Evans' harmonic language. He employs Ab7 to G7, C7 to F, and A7 to Dm, creating a sense of resolution around the cycle. The chord progression also features dashed arrows indicating descending semitones, which adds an extra layer of tension and release.

The A Section is marked by landmarks I, V, I, IV, and II, which are common in many jazz standards. After establishing these core chords, Evans introduces secondary dominants and their associated II chords. This creates a sense of harmonic movement and exploration.

One of the most striking aspects of Evans' transcription is his use of Roman numerals to indicate the key landmarks. He only includes the essential chords, omitting any unnecessary or decorative elements. This approach allows for a clear understanding of the underlying harmony and provides a framework for improvisation.

The form of 'Danny Boy' follows a traditional song structure, with an ABAC layout and each section lasting eight bars. Evans' analysis is remarkable in its simplicity and clarity, making it easy to follow and understand.

For those unfamiliar with this iconic song, Bill Evans' transcription is a must-listen. His performance is breathtakingly beautiful, and his approach to harmony is a testament to his genius as a pianist and composer.

In conclusion, Bill Evans' transcription of 'Danny Boy' is a masterclass in harmonic analysis and improvisation. By exploring his use of secondary dominants and Roman numerals, we can gain a deeper understanding of his unique approach to jazz harmony.

Bill evans danny boy transcription